Between two generations, play carves out a space of its own, where rhythms, presences, and everyday gestures are transformed.
There is a childhood that still knows how to play, but is beginning to forget how to do so. A busy, fast-paced childhood, surrounded by stimuli that render imagination unnecessary. On the other hand, there is a generation that holds in its memory the simplicity of play, the pleasure of the pointless gesture, the joy that arises from encounter and shared time.
The aim of this new creation is to establish a space where these two temporalities can intersect. A place where simplicity regains its value, where a single sheet of paper contains entire worlds, where the body discovers that play is an act of presence rather than consumption.
Playing, here, is not a nostalgic return to the past. It is an act of resistance. An invitation to slow down, to look at others, to create together from what already exists, without technology, without the urgency for results.
In this encounter, play becomes a shared language. A language that belongs neither to childhood nor to adulthood, but to that fragile and precious space where people recognize one another. Where time slows down, the body listens, and joy emerges as a natural consequence of being together.
Artistic Credits
- Staging & dramaturgy: Sérgio Fernandes
- Assistência à encenação: Ana Gabriel
- Interpretação: Sara Sofia, Tomás Porto
- Composição Musical: Ferdinand Breil
- Figurinos: Ana Baleia
- Cenografia: Origami Produções Francisco Feijão, com Axelle Camille, André Ladeira, Ana Sincu e Fernando Travassos
- Photography and Video: Fábio Mestrinho
Technical Rider
- Duration: 30 minuts
- Capacity: aprox. 300 people
- Space: 6m x 6m (aprox.) | The public can be seated on benches, arranged in 180º
- Technical rider: Power suply for a laptop | 1 PA stereo (with Input xlr or jack)
- Soundcheck: 2 hours before the piece
* TEATRO SÓ has the copyright of the original music used in the show. The organization will not have to pay copyright.